Chris Balaschak

Department

School of Creative Arts and Letters, Visual Arts

Research, Professional and Creative Activity

•     The Image of Environmental Harm in American Social Documentary Photography (New York: Routledge, 2021)
•     “Forest Formats: Photography, Puerto Rico, and The Caribbean Forester”
  Imperial Islands: Art, Architecture, and Visual Experience in the US Insular Empire after 1898 (Honolulu: University of Hawaii Press, 2021) 
•    “File System Access: Evidence and the post-industrial Bay Area” presented at the International of Word and Image Studies Triennial Conference, “Images and Texts Reproduced,” University of Lausanne, Switzerland, 2017   
•    “Proving Grounds: Artists’ Books in the Wake of Three Mile Island,” chapter in Conflict, Identity and Protest in American Art (Newcastle: Cambridge Scholars Publishing, 2016)    
•     “The Slavic Court: Lewis Hine and Informal Urbanism in Homestead,” chapter in Paper Cities: Urban Portraits in Photographic Books (Leuven: Leuven University Press, 2016)     
•    “Getting Oriented: Death of a Valley and horizontal photographs in Aperture” presented at “Photography in Print” Conference at the Photographic History Research Centre, De Montfort University, Leicester, UK     
•     “Planet of the Apes: John Szarkowski, My Lai, and The Animals,” Art Journal (Fall 2012)     
•     “New Worlds: Lewis Baltz and a Geography of Aesthetic Decisions” in Reconsidering the New Industrial Parks near Irvine, California by Lewis Baltz, 1974 (Berlin: Sternberg Press, 2011)     
•    “Between Sequence and Seriality: Landscape photography and its historiography in Anonyme Skulpturen,” Photographies, v. 3, n. 1 (2010)              
•    Words without Pictures, contributor (Los Angeles: LACMA, 2009)     
•    Shirana Shahbazi (Los Angeles: Hammer Museum, 2008)    
•    Contributions to Frieze (London), 2005-2007 
   

Professional Profile

   Professor Chris Balaschak specializes in histories of photography, modern and contemporary art, and visual culture. His research is focused on visual culture at the intersection of place-based politics, environmentalism, and high modernist social planning. Dr. Balaschak’s current research project considers the ways that American photographers responded to the environmental consequences of federal infrastructure throughout the 20th century.

Teaching and Related Service

Education: 

• Ph.D., University of California, Irvine 
• M.F.A., Art Center College of Design, Pasadena 
• B.A., New York University, New York

Area of Research:

•    History of Photography 
•    American Visual Culture 
•    Modern and Contemporary Art 
•    Environmental Humanities 

Courses Taught:

• Art History II: Renaissance - Modernism
• Art History III: Contemporary Art
• Visual Culture
• The Environmental Image
• Modern Metropolis
• Art & Environment
• Race & Visual Culture
• Art History Internship
• European Modernism
• History of Photography
• Gallery Management

Previously taught at:

•  California State University, Long Beach
•  University of California, Irvine

More Information

Office Hours (On campus):

• Monday: 12:00 PM - 2:00 PM
• Wednesday: 12:00 PM - 2:00 PM